Good news, everyone! I called up a guy and he came round and rewired my brain so it comprehends True Blood. This week’s episode, “We’ll Meet Again” had its ups (Pam, Eric, Christopher Meloni) and downs (Tara, Sookie, Terry’s storyline) and once more everything was thrown together into a big old gumbo fulla cray that didn’t move things along much but made a big noise doing it.
So, up front, I have only seen a small amount of Louie previously, but judging by the recaps and background stuff plot isn’t really Louie’s thing. What I do know is that he’s a supremely funny guy, and that he is proving that culture can be distributed en mass without middlemen for a reasonable price, and was unbelievably up front about what he was doing with the million bucks he raked in. More fanboying later. So the actual show is 22 minutes of weird little vignettes that explore reprehensible aspects of the Louie character that I can’t recall seeing so bluntly exposed in any other show.
This week’s True Blood felt like consolidating our learnings from last week, just to make sure we caught all the Vampire Politics chat. This week’s pros: Jess/Jason, Past Pam/Past Eric, the continuing buddy comedy going on at Authority HQ; cons: Tara, Sookie/Everyone, Stop Being Mean to Lafayette, The Fact That Neither Terry Nor Hoyt Have Anything Cool To Do. Calling it now: one of these guys will be the ‘major character’ to be shuffled off this year.
First off, I have to say that we have some mad bending skills showing up in this episode. Apparently you can use firebending like your own personal jetpack now, or maybe that’s just Iroh being Iroh. Oh, and they’re fighting against Avatarverse biplanes in this episode, with firebending-powered anti-aircraft guns. This is seriously some top-notch worldbuilding.
The second half of today’s recap features “Leave Me Alone”, which for you English Lit majors out there means the happy occurrence of a piece of writing about the act of writing, specifically one successfully published memoir (the eponymous Leave Me Alone) by Hannah’s nemesis, and one short story by Hannah herself.
After a pretty ignominious (read: meh) start to the run, Girls has improved considerably in the past few weeks, and even more remarkably than that, has sustained that improvement. Specifically, it’s started acting less like a loosely related series of short films and more like a long-form episodic story. Characters experience things and then remember those experiences the following week, or at least do so up until that change starts chafing against their own calcified senses of self.